RISK ASSESSMENT

When planning my photoshoots, I had to consider several risks that could affect both the process and the final images, especially as I was working with high-end and collector cars in real locations.

One of the main challenges was access and availability. Since I relied on museums and exhibitions, there was always the possibility that certain locations would be closed or that specific cars would not be available. This meant I had to adapt my plan depending on each situation.

Another important factor was working around very expensive vehicles. I kept a safe distance at all times and avoided any physical interaction, both for safety and to respect the environment.

Because many photos were taken in public spaces, there was also the risk of people entering the frame. To manage this, I carefully considered timing and composition, making sure no identifiable individuals appeared in my images.

In terms of permissions, I only took photos in locations where photography was allowed and followed all the rules. The images are used only for this project.

There were also some technical limitations. In certain locations, I wasn’t allowed to use my Nikon camera, so I had to rely on my Phone. Lighting and crowd levels were not always ideal, which sometimes affected image quality. To deal with this, I selected only the strongest photos for my final magazine.

Overall, this process showed the importance of being flexible and adapting to real conditions in order to achieve a consistent final result.